Rayne Performing At Long And McQuade

Rayne was asked to perform at the Long and McQuade in Richmond. What a great beautiful day to set up a huge tent, barbecue and lots of music gear. Rayne has his tracks blasting as he rocked his set. Many passerbys stopped and ended up staying around and hearing his set. Playing many songs of his upcoming album he even had cars slowing down to see what was going on!

Roses On The Railway Tracks

When I heard Natalia Pardalis's tunes last Wednesday at The Princeton Pub, the first words to enter my mind were: Broadway and Cheery. Which is normally something you don't often associate with the Princeton Pub!

Never before have I seen so many well dressed ladies in cocktail/tea attire at the Princeton Pub. It certainly shocked the local residents as a posse of ladies walked up to the stage and set up candles and lanterns. After a few technical difficulties the show went underway.

Celebrating the release of her new single, "Cup Of Tea", this night was full of singing and applause. She brought a great crowd of friends and well wishers. Each receiving a gift bag which included samples from local merchants and a copy of her album "Life".

Starting off her set with a cover of "Feeling Good" switching into "Cry Me A River" (Justin Timberlake) we found that sometimes she focused to much on the sheet music in front of her. So much that it affected her vocals and allowed the pitch and dynamics to wander a bit. Don't get me wrong, she is both a skilled pianist and a skilled vocalist. Obvious training in both aspects, but together, at times, both skills seemed to compete against one another.

Her vocals were definitely classically influenced, with a hint of musical theatre. Reminded me of watching a classic movie and hearing a dance tune break out and the whole street burst into synchronized dance. It was difficult putting that voice in this context at a very open-mic/piano recital feel. Her voice seemed suited for a larger stage than what the Princeton provided. This performance was very intimate but sometimes we felt the vocals lacked dynamics which could really make the tunes sing.

The piano was well played, again obvious classical and jazz influence with some hints of modern flavouring. My guess would be she has been playing mostly lounge style ranging to Broadway classics. The originals she played sounded best because they combined all of her influences. After hearing her album and the piano originals I wished some more of those were played.

A very interesting sound, definitely something you don't hear in Vancouver that often! If you want to hear the tunes go to http://nataliapardalismusic.bandcamp.com/ and be sure to pick up the single from iTunes!

Please Listen and share!

Hey Guys!

James here from Hammer Records. I don't ask for much but please take a listen to this tune! I entered a mixing contest and would love to have people listen and share this mix I did for this contest! So please share it around! If I win I will be sure to take a photo and maybe release some more Vancouver Live videos from the Hammer Records vault! Or maybe do a special video?? Who knows!

Cheers!

The Cellar Launch Project Week 5

April 19th was the last night of this year's Cellar Launch Project competition. Four bands took to the stage, and rocked the club all night! First up was No Operator.

No Operator is a Nanaimo based band who made it over for the competition, and brought with them lots of dedicated fans. I liked the clear rock vocals blended with their heavy, intricate riffs. Their melodic tunes would sound great recorded properly. (After listening to their CD on the way home, I wished the record had captured more of their full sound, as it simply did not compare to the live performance.) I would have liked to see a little more movement on stage, however the over all performance was very good. The lead singer broke a string on his guitar during the last song, didn't have a back up prepared, but rocked the mic without hesitation. It was a performance that set the bar high for this night's event. Well done, No Operator!

One Year Later took the stage next and right away I noticed the audience starting to gather at the front of the stage. Their sound was good, but I found the songs almost blended into one another eventually. Their use of stage was great, and they appeared to be well rehearsed, and well liked; I just wasn't blown away. They had a very Rock/Pop-Rock sound which matched their marketable image. I think One Year Later has good potential, and with some work, they could sell it. I look forward to seeing them again in the future. Keep up the hard work, One Year members.

Lovely Sinners was the third act of the evening. Each member showed great personality on stage between songs, and chemistry with each other through out the set, though I found their use of stage a bit boring. However, they did have a confidence in their material that really showed through. They had a tight sound, but it fell just short of "great." I thought their songs needed more dynamics. They were good, but not initially grabbing. With some work on songwriting, their sound could be taken to the next level. All in all, it was a good set.

Last, but certainly not least, was Lift Off. Now, having had the pleasure of seeing this band many times before, I knew I was in for a show. Lift Off never ceases to deliver. They bring everything they've got to the stage - including props, banners and their own set of stage lights! Each member has such charisma, energy, and talent it's hard not to be on your feet dancing or singing along to their fresh, catchy tunes. If you like Rock/Pop with cool hints of Punk, driving guitar riffs, and in your face vocals, or just chains, ties, and eyeliner; you'll LOVE Lift Off. This is a band that's done it right. Great image, great sound, great stage work. A well crafted musical machine that will continue to become more and more successful as they carry on. As always, great job fellas!

Aaand that's a wrap folks! The last of the competition. All the judges sheets are in and tallied! Look to the next post for the Top 5 bands of this year's Cellar Launch Project. If interested in photos taken this night, please contact James at HammerRecords@hotmail.ca

Cheers!

Roxy

The Cellar Launch Project Week 4

Cellar Launch - April 12th

Matt Cairns / We, The Sheeple / Amusia

It was a slow, rainy night in Vancouver however the three acts for this weeks Cellar Launch Project managed to bring in a fair crowd. We were sad that the other half of "Mr. Completely" couldn't make it out that night, leaving Matt Cairns to perform solo, and 'Sick Logic' was nowhere to be found, leaving 'We, The Sheeple' to take their place in the competition.

Side note: We were not impressed with Sick Logic that night. Failing to show up for a show without any notice is never fair to the promoters who put time and money into running a venue and promoting your band. The fact that no mention of this show was ever on their FB page made us wonder if they had had any real intention to play the show.

Having only three acts this week, Matt Cairns hit the stage around 9PM, thankful for the extra time to allow some of his late fans to trickle in from the rain. Matt always puts on a good show for just a guy, his voice and his guitar. There's always a great amount of passion behind the lyrics, and emotion put into every song. You can tell there's a real connection between song and songwriter. However, I believe that the addition of a full band behind him is what will take him to the next level at this point. Matt Cairns is one hell of a songwriter, and absolutely has guitar and vocal talent, but without the addition of a fully produced/filled out sound behind him, I feel he could be more of a success as a songwriter vs. a solo act. Matt is very active in the local scene, and if given the chance, please do attend one of his shows! They're never disappointing.

We, The Sheeple was next to hit the stage. They had obviously come prepared to play as they impressed us with such a quick set up time. Having never seen this act live before, I wasn't sure what to expect. They had a very indie-pop-rock sound, and the looks to match! For such young guys, they pulled off a really tight sound. I thought they had a lot of potential. We, The Sheeple showed great personality on stage, were very inviting, and had some wicked guitar work in their songs. I think the lead guitar could have been louder, and the vocals a little more developed (perhaps work on delivery, or if proving to be difficult to play an instrument and sing, find an additional lead vocalist?). Overall, I thought they played well, and held their own in this competition. Be sure to keep your eye out for this young band. I'd definitely see them again!

Last, but certainly not least, was Amusia! This band looked great, sounded great, and moved really well on stage. The vocalist has an amazing tone that really captures people's attention, and with such a strong instrumental sound behind him, the only thing that may be holding them back is their very 'progressive' sound. Although progressive music is great, and I personally love the genre, in terms of marketability, it'd be nice to hear a defined "single" or two on the set list as well. Something geared a little more towards a radio audience. In my opinion, the "end of the world song" and the last one of the set had the most potential as singles. Overall, I really enjoyed the set, and can't wait to see them perform again.

James and I had a fun night, and are looking forward to next week! If any bands are interested in more photos from the evening, please email us at HammerRecords@hotmail.ca for more info. 

-Roxy

The Cellar Launch Project 3

After such great performances from the first two Cellar Launch Project nights, the bar was set pretty high. This night was loaded with three bands and one solo artist. First up was Connor Roff.

Hammer Records has seen a lot of solo artists perform. We have been to a lot of open mics and acoustic shows. We have also seen a lot of singer-songwriter acts take their songs and try to introduce a band into the sound. Connor Roff is one of the few that we have seen do it right and it really took his songs to the next level. After hearing the recordings on his Facebook page we were expecting a chill acoustic set, but open arriving at the Cellar we were greeted with a full band set up. The drummer was fantastic and really complimented the songs. The bass was simple but dynamic to allow Connor to fill most of the sound out with his guitar and vocals. Connor's charm and smile illuminated the room and eventually everyone crowded around the front to hear his well written tunes. During his set he asked a guest vocalist to join him on stage and our only criticism was that she tended to sing slightly off key, which made Connor sway slightly off pitch as well when they were singing at the same time. Other than that, it was a very pleasant set.

Feller was up next. Not having a Facebook page or any links to music that works really makes it hard for us to get a feel of a band before seeing them. After setting up, the sound guy turns off the club music and all eyes turn to the band. The lead singer/guitarist gets up there and starts tuning his guitar; no tuner, just using his ear. This is a show at a venue, not a jam room party. A big part of our judging marks go to being prepared. Having a tuner which band mates can share ensures that once you hit the stage you can start playing as soon as possible. That just seems like common sense to me. Upon finishing tuning, he turns to the bass player and HE starts to tune off of the guitarist's strings. It's really hard to tune accurately using one's ear unless you have perfect pitch. As later stated in their set "I don't know about the rest of my band but, I'm not here to win, I'm just here to play." Which set the tone for their performance in a nutshell. The vocals were unique and very Kurt Cobain styled. The bass had a great tone and played solidly. Their sound as a whole was pretty good, just a little rough around the edges. The best song in my opinion was the last song, which was a Nirvana cover song. Nothing wrong with that. Nirvana is a hard band to cover and they did a great job at it.

Falling For Scarlet took to the stage with a fury of rock! The rhythm guitarist rocked out so hard and played great! The band as a whole had a great marketable sound and look. Besides the rhythm guitarist, I personally think the stage presence could have been worked on a little bit more. I know singing back up and playing is hard, but when you are not singing it doesn't mean you are tied to the microphone stand. Go explore the space. I know the Cellar stage isn't the biggest, but the band can either make that stage look huge, or look tiny. The bass player was in the back and was covered by the rhythm guitarist which limited his movement, but he sang great and moved appropriately. Tight instrumentals and a great flow between songs.

The Oceanographers were the closing band and had brought the biggest crowd of the night. First thing I noticed was that the guitarist had the largest pedal board I've ever seen.  Usually it's sign of a well produced tone, or an over zealous guitar player. Fortunately, it was the first one. All the sounds from these guys were pristine, clean and sounded rather grand. The dynamics of the band were incredible. You could tell these guys have been playing together for years and practice weekly. Feeding off each others' energy and delivering it right back at the audience! We highly recommend seeing these guys at their next show.

In the end, it was a pretty crazy night! Which for us actually ended up having our car towed because of being short by 30 mins on the parking meter. (Oops!) Looking forward to next week! If any bands want more of the photos taken that night, please contact us at hammerrecords@hotmail.ca for more information.

Cheers!

James

The Cellar Launch Project Week 2

The second night of the Cellar Launch Project was ready to kick off with four bands on the bill. Starting everything off to an already pretty packed Cellar was, Bobby's Cane.

Even though the Cellar was packed, the dance floor remained fairly empty, except for a couple dedicated fans. This fact instantly puzzled us. Obviously this band had a solid following to come early and listen, but not to stand on the dance floor while the band poured their hearts out from that stage? Weird. Never the less, this did not stop Bobby's Cane from rocking and rocking hard! The guitarist and bass player jammed out and moved to fill up the stage perfectly. The lead singer's voice had a great rasp to it, his guitar playing was good and only until the 3rd or fourth song was when I noticed he was visually impaired! Having a few friends who are visually impaired, I applauded his skill at the guitar that much more. Together they sounded tight, bluesy and fun. After listening to their recordings I liked the more gritty tones in the recordings than their live sound. We will keep an eye out for their next show!

Thrown in last minute to the mix was The Deadset. Im guessing the second band, "I am An Optimist," dropped out and Rednyne asked Deadset to step in. Playing to a fairly blues-rock crowd is hard in the first place, but being a pop-punk band didn't make it any easier! A nice crowd of dedicated Deadsetters crowded the front of the stage to hear Jt Criminal belt her lyrics and rock her guitar as bassist Tommy filled up the space behind her with his trademarked stage presence. The drums tried to keep every one locked together but you could hear tempo changes throughout the whole set. The sound in total was pretty raw and uncut. Good for being thrown on last minute but I could tell some of the songs still needed some touch up and rehearsal. I think adding a second guitar would fatten up the sound and add a bit more flavour. Would love to see them in their natural element rocking a punk show!

It was fairly clear who the large crowd filling the Cellar was here for the minute "The Green Room" started setting up. Everyone who was hanging back suddenly came to life and flowed to the dance floor, including a fairly old couple who had sat in the back drinking bottle after bottle of wine. It's always fun seeing a band play for friends because they normally win over the rest of the crowd by just their sheer attitude. The Green Room had a pretty cool, chill vibe to their tunes. Quite talented musicians, but they had more of the indie sound than a mainstream sound. Their recording sounds solid with some nice producing and their live performances was passionate. We will be keeping our eye on this band to see their development over the next couple of years.

Now touching back to the comment I made earlier about "a fairly blues rock crowd." While Pop-Punk may be tough to get them excited, throw some hardrock-metal on the stage and apparently they go NUTS! Crankshaft started off their set with an epic build up and then launched right into the riff driven rock tunes that is the meat and potatoes of their sound. It took just a couple songs for them to have a large crowd around the front of the stage listening intently. It only took a couple more songs before most of that crowd was bobbing their heads to the bombastic beats from the drummer. Horns were raised to the shredding lead guitar player as he burned through lick after lick for his solos. Everyone felt the bass reverberate through their bones, filling out the bottom end. Topping everything off was the crunch rhythm playing and the "Breaking Benjamin" style vocals. Perfect hard rock vocals. However, after a few songs his voice seemed to waver as more and more screams were introduced. The Art Of Screaming DVD is a fantastic place for touching up on proper screaming techniques to keep your voice pristine so you don't end up like Sonny Moore (Over 10 vocal surgeries). By the end of their set there was a full on mosh pit at the Cellar. Which is something I don't think I've ever witnessed before.

Overall, a quite eventful night for sure! Looking forward to next week. If you're a band in the upcoming weeks please feel free to say hi to Hammer Records at the judges table. Also, if you are looking for photos and/or videos please feel free to email us at hammerrecords@hotmail.ca to discuss prices! That also goes for the bands of this week that are interested in more photos!